REPRESENTION OF SOCIAL GROUPS

I have created board where I have collated images and representations of the social groups in my film opening. I have added analyses and descriptions in the comment box below the images. Please open my live link to see my Pinterest.
https://uk.pinterest.com/francescatarpey/represention-of-social-groups/

Here is also a screenshot of my Pinterest.


Here is also the character interviews we did.

PLANNING PADLET

Today our group started using Padlet. A Padlet is like a digital noticeboard that can involve other people on the topic. You can add videos, pictures and audio message as well as word messages. By using this we can interview our characters. This is part of character development for our film openings.
Open this hyperlink to see my Padlet.
.https://padlet.com/francesca_tarpey/aqh3ryxymnpy
Here is a screenshot of my finished Padlet.

MARC RIBOUD

This photograph was taken by Marc Riboud, it shows a hippie girl standing in front of soldiers. The girl is holding a flower and the soldiers are pointing weapons at her. This shows a symbol of peace against war. It is contrasting as there are lots of aggressive looking men standing against a young girl all by herself. The girls positioning with her hands almost makes it look like a prayer, to stop the war that is going on. The image is taken outside of Washing DC as hippies protest against the Vietnam war in 1967. The girl is dressed in a flower blouse to match what she is holding in her hands, whilst the soldiers are in dark uniform that match their weapons, this shows that the men need protection from defenceless people.

DISTRIBUTION

What kind of media institution might distribute your media product and why?

An independent distributor would distribute my film, our group has chosen Verve because it is a smaller distributor that mainly uses small independent films which is what our group is making.
Distribution is the process of making sure the film is in the hands of the theatre chains, broadcasters, video stores and video on demand operators. The companies that do this are called the distributors. A producer gets a sales agent to license a film to distributors outside the producers own country. Distributors acquire films via deals with studios, and production companies. Any distributor may compete for the rights to release a film, whether for cinema,satellite/terrestrial television and DVD. Distribution deals cover the overall rights to a film for a set period of time, this usually includes the release plan, media promotion and what edits and changes are allowed. Distributors must create an entirely new film release plan for each project to identify the unique selling points and attract the widest audience for the film. They also oversee the marketing plans, expenditure evaluations, forecasts and revenue breakdowns.

I researched distribution on the FDA website as well as the FutureLearn course titles The Business of Film and at an A level study day at the BFI delivered by Rob Miller. I also looked at case studies. Overall distributors are creating plans for film release to ensure they reach big audiences and make a profit. Sell and publise films to the media, marketing partners and cinemas for the public. And deal with filmmakers and producers, sales agents, publicists and advertising agencies.
After watching this video many time, Stuart Williams who is a deputy managing and marketing director, discusses the unique ways a film can become well known. He mentions that the 'word of mouth' technique is the strongest because people trust what other people say. We will listen to a film critic and decide whether or not we will go see a film if they say its good or bad. We will also listen to friends and family and decide to see a film dependent on what they say about it. Another way is by social media, people will set up websites and pages on Instagram, Twitter, Facebook etc on a a movie and the more followers or likes it gets the more its spreads around the world and the more people see it.

From my research into the Hollywood Big 6 and other big studios, I learned that big budget films have a wide range of distribution strategies at their disposal. I had already noticed from my own interest in film how distribution strategies at their disposal, such as London has Fallen , as I had seen billboards and a trailer. Then I did a case study on the distribution of Jurassic Park. However, low budget films, like mine, can struggle to find any distributor at all. I did a case study on the distribution of Tortoise in Love , have discovered that the BFI's P&A fund stepped in to help them distribute their film.

Gareth Lowrie from NBC Universal explained to us at the BFI study day how he worked on the marketing for Jurassic World. He explained how at Waterloo Station they set up a dinosaur cage, this interesting people what is was. The next day they had made it look like the dinosaurs had escaped as they had made life like art pieces, the had members of staff dressed like zookeepers and advertisement for the film on the screen around the station. They also allowed people to take photos with the dinosaurs and had a hashtag to spread it around the world on social media. This made the film attractive as they had to think of something unique because the movie is a franchise and had to tell viewers it was going to be different from the other films. This was successful as it was one of the highest top 10 grossing films in 2015.

PLANNING: INTERVIEWING OUR CHARACTERS

I read this article by Charlie Sierra, where he refers to award winning Pen Densham, he mentions about how to get to know our characters. We are going to do character interviews so we get to know the background story of our characters and our film. He writes about how we should think of it like a questionnaire which the characters need to fill out. For our film we are going to interview the girl character from the Dad, so we can see the turn of events that happen.

My Character Interview

One of the main characters is a teenage girl, so for this we decided to use a What's App message interview between her and the characters Dad. Here he shows anger about asking where she is and is worried. She replies saying where she is and that she is just trying to have fun. This then turns badly 

as she then realises she is in danger. Here are the screen shots from our interview

RESEARCH- BIFA

I have been following the nominations at the  BIFA this week, especially since I have been introduced to the film American Honey since seeing the trailer at the BFI on a study day given by Rob Miller on An Introduction to the film industry in November 2016.

https://www.bifa.film/awards/film/american-honey

I am interested in American Honey because of some similarities of this film and the film we are making ourselves. At 2.7 million pounds budget it was not expensive to make, it featured almost unknowns except Shia LaBeouf. It is promoted as defining our generation according to the website. 

I first saw this film at the BFI. I learnt that American Honey counted as a British film as it had a British director, Andrea Arnold. and cast and the key organisations involved. It is an example of a BFI funding model. The director also made the film Fishtank which was funded at a cost of 1.3 million pounds in 2009, (compare this to Star Wars, which was 230 million pounds). American Honey's key themes involve young people and their lifestyle, and how they live in the moment in a carefree way, which are themes and issues rarely shown in mainstream cinema. In addition there were no expensive sets as it was shot in location, as the same for our films. Part of the social realism was created by its camera work: the film was hand held, exploring the urban youth, which gives the cinema verite. 

There are similarities between the film I will be making and American Honey, because ours will be low budget, with unknowns and taken on locations.

PLANNING: THE TOP LINE AND BIG QUESTION

Frank Ash is a creative consultant who has taught story telling and creativity techniques to teams across the BBC and beyond. In this presentation he said to develop and strengthen the story of a film you need to think about the audiences and what do they want from the story they tell. To tell the audiences what the story is all about, he gave advice saying can you tell you story in one sentence? The second most important is telling the audience 'what is going to happen?'

I have recently watched the film 'Catch me if you can'. If I was to describe this movie in a sentence it would be 'a funny, inspiring and suspense cat and mouse chase between two very much alike characters'.

The big story question in the movie 'catch me if you can' was 'is he ever going to get caught?'. Although they hint in the very first scene what happens in the end, they don't show all of it. The movie then starts the story from the beginning after that, then when it gets to the end of the film, you realise what the main character is really like and you get a better understanding of the beginning again.